Fountain — Marcel Duchamp | Artatlas
Marcel Duchamp, Fountain

Dada

Fountain

Marcel Duchamp's Fountain — an ordinary factory urinal signed 'R. Mutt': the gesture that declared art is made by the idea, not the hand.

Its value is the idea of the readymade: the artist does not make the object but chooses it and changes its context. So conceptual art was born, where the idea matters more than execution.

Marcel Duchamp, Fountain
Fountain · Lost; replicas in museums worldwide

Highlights

Surprising facts & legends

Short but striking stories around the work — the things that make it come alive.

Interesting facts

The story around the work

Interesting facts & legends
  • The original Fountain is lost — it is known only from one 1917 photograph by Alfred Stieglitz.
  • Duchamp signed the urinal with the false name 'R. Mutt' to hide his authorship.
  • The exhibition claimed to accept any work for a fee — yet it still rejected Fountain, and Duchamp resigned in protest.
  • In 2004, 500 British experts named Fountain the most influential artwork of the 20th century, ahead of Picasso and Matisse.
  • About 17 authorised replicas exist — those are what museums display.
Source: Wikipedia

Estimated value

What it is worth today

The original Fountain is lost; authorized replicas are in museums, and one sold at auction in 1999 for $1.76 million.

More details Open the extended reading, official sources, and visual context around the work

Historical context

Fountain in its era

In 1917 Duchamp bought a factory urinal, turned it on its back, signed it 'R. Mutt 1917' and submitted it to the Society of Independent Artists in New York under the title 'Fountain'. The jury refused to show it.

Path to recognition

How the work became widely known

The original is lost — it survives only in a photograph by Alfred Stieglitz. The scandal made Fountain the most discussed gesture of the 20th century; in a 2004 poll of experts it was named the most influential work of modern art.

Value

Why the work matters today

Its value is the idea of the readymade: the artist does not make the object but chooses it and changes its context. So conceptual art was born, where the idea matters more than execution.

Connections and legacy

How to read the work more broadly

Fountain opened the way to all of conceptualism, pop and contemporary art; today authorised replicas are held in the Tate, the Centre Pompidou and other museums.

What to look at

Three entry points into the work

Even a very famous artwork opens more fully when the viewer knows where to look for tension, meaning, and compositional focus.

  • See not the object but the artist's act of choosing.
  • Note the 'R. Mutt' signature — a fake name as part of the provocation.
  • Ask what makes a thing art — that is the subject.

More by the artist

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