From the artist's life
Turner claimed he had himself lashed to a ship's mast during a storm so he could paint the blizzard from inside it.
Source: Wikipedia / WikimediaRomanticism
J. M. W. Turner
J. M. W. Turner (1775–1851) was the supreme painter of light, sea and storm, who dissolved landscape into radiant atmosphere. His daring late works anticipated Impressionism and even abstraction.
Turner freed colour and light from precise form decades before the Impressionists; Monet studied him closely.
- Pushed landscape toward pure light and atmosphere, anticipating Impressionism.
- Painted dramatic storms, fires and the coming of steam and railways.
- Left his vast body of work to the British nation.
Key works
Where to start
Complete list of key works
Works with a dedicated ArtAtlas page are highlighted in gold.
- Rain, Steam and Speed – The Great Western RailwayOn ArtAtlas
- The Fighting TemeraireOn ArtAtlas
- The Slave ShipOn ArtAtlas
- The Battle of TrafalgarListed for reference
- Snow Storm: Hannibal and his Army Crossing the AlpsListed for reference
- Fishermen at SeaListed for reference
- Sunrise with Sea MonstersListed for reference
- Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of GenesisListed for reference
- Chichester CanalListed for reference
- Calais PierListed for reference
- Crossing the BrookListed for reference
- The Burning of the Houses of Lords and CommonsListed for reference
1843
Rain, Steam and Speed – The Great Western Railway
Rain, Steam, and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner.
1839
The Fighting Temeraire
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil-on-canvas painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839.
1840
The Slave Ship
The Slave Ship, originally titled Slavers Throwing overboard the Dead and Dying—Typhon coming on, is a painting by the British artist J. M. W. Turner, first exhibited at The Royal Academy of Arts in 1840.